This post is part of Top 10 Tuesday, run by Jana from That Artsy Reader Girl.
While we sit crying into our large Coke, lamenting what we think is a shambles of an adaptation, there’s no need to despair. It might be easy to forget that there are so many other great adaptations that have been just as good, if not maybe better, than their literary basis.
Yes, I did really say that. Sometimes, the movie completely does the book justice. It’s a huge crime among book bloggers to say it, I know, but I can think of just a few books where the screen comes pretty close to the story on the page.
The Book Thief by Markus Zusack
Before we start with the analysis, it’s important to note – The Book Thief is my favourite book, possibly of all. When I heard there was a film coming, I was very apprehensive. The book had been the first to move me to tears, and I knew it would take something special to recreate this on the screen.
It turned out I had absolutely nothing to fear. The film version is just as real and heart wrenching as the book. Anything with Geoffrey Rush and you’re doing well, but this stuck so well to the book’s plotline, and is a pretty terrifying telling of life in Nazi Germany.
Brooklyn by Colm Toibin
The book itself is amazing. Colm Toibin has a way of writing that has yet to be matched. But with a setting like 1950s New York, you really need to see it on screen to take it in in all its wonder.
Luckily, that was done to perfection here. You can almost smell the pasta sauce from dinner at Tony’s house. You hear the trains and buses and cars that fill the streets of Brooklyn as Eilis heads to work. And you feel the tears rolling down on more than one occasion.
Mary Poppins by PL Travers
The Mary Poppins in the book is a very cold woman, who comes across as a hard and dominating governess. After some coaxing to the author (go see Saving Mr Banks to see what I mean) Disney got his hands on the rights and turned it into the Oscar winning delight we all love, complete with Julie Andrews as the warmest nanny ever depicted.
No wonder this film contained Disney himself’s favourite song. Can you feel the goosebumps yet?
Room by Emma Donoghue
Reading this book on a train into London is one of the most terrifying experiences of my life so far – after I’d finished the book, I was convinced the people around me were going to do what Old Nick did to Joy. No such event transpired.
Also on the list of terrifying experiences was watching the film alone in the dark right before I went to bed. If the book is unsettling, then the film is even more so. However you’ve pictured Room in your head, the reality of the setting is much, more more harrowing.
The Notebook by Nicholas Sparks
Disclaimer: didn’t actually finish the book. Barely even started it.
But the film is a well renowned heart string puller. Everything about Allie and Noah’s relationship screams textbook fairytale romance, and there isn’t a single person out there who can honestly claim not to get even a little weepy when the final scenes start playing.
I read the book years after I’d first seen the film, which is a very rare reversal for me. I think if I’d done it my usual way, I might not have been so let down by the literary offering.
The Boy in the Striped Pyjamas by John Boyne
Another set in Germany in WW2. What can I do, I like historical books.
The final scene of the book, when Bruno disappears, is a frightening read. Even to the uninitiated, it’s clear what’s about to happen. You can see the distress the family are going through, but it’s when you see it acted out in front of you, and hear the anguish in Vera Farmiga’s voice, you truly appreciate how powerful an ending John Boyne presented.
The Perks of Being A Wallflower by Stephen Chobsky
Once again, I read the book after having seen the film. This didn’t make as much of an impact as in other cases, but I was still more drawn to the film version than the book.
Yes, some of the storylines from the book may have been removed or downplayed for being controversial (Charlie’s racist grandfather, for example), but those that do feature are portrayed spectacularly.
It’s a hard film to watch, given the amount of plotlines that feature abuse in some way. But seeing it in front of you is far, far more gripping than sitting back and just reading about it.
Willy Wonka and the Chocolate Factory by Roald Dahl
Roald Dahl wasn’t happy with the film version and someone really needed to sit him down and check if he was ok.
The first time we see the Chocolate Room is also the first time the actors saw it. See the look of wonder on their faces? Remember that feeling of sheer awe you had yourself? It was real.
It may not have stuck rigidly to the idea Dahl had for the factory (the 2005 version shows that a little better), but as it’s up there with one of the beloved childhood classics for so many people, I think we can get over it.
Love, Simon by Becky Albertalli
Simon vs the Homo Sapien’s Agenda was one of my favourite books from my 2018 reading. When I saw it was being adapted into a film I was both excited to see how it would play out, and worried they would make a mess of one of my new favourites. I had nothing to worry about, luckily. The film was superbly done, and Nick Robinson made for an incredible Simon Spier. I’m not ashamed to admit I openly wept at the carnival scene.
A Monster Calls by Patrick Ness
I was spellbound by the book, but I don’t think I was prepared for how the film would make me feel. I wept for Conor’s story, and anyone who’s had a family member affected by terminal illness will definitely react in a similar fashion.
What films did you think were better than their book counterpart? Is there one I’ve missed? Let me know in the comments.